Judith Weirs orchestral music is drawn from a similarly vivid palette. Edit Now. [13] Her first stage work, The Black Spider, was a one-act opera which was premiered in Canterbury in 1985 loosely based on the short novel of the same name by Jeremias Gotthelf. A full list of Production Arts teaching staff and technicians can be found on our website. What doesnt change, at least in the 53 minute first act, is her accenting: the music is continually using devices to ratchet up the tension - chromatics, diminished and augmented chords. Menottis parade of operatic models coloratura showpiece, rage aria and lament were effortlessly pointed up and the rapport between the singers was communicated with both tenderness and impatience. Not entirely, and not so extravagantly and hopelessly. Original reporting and incisive analysis, direct from the Guardian every morning, Unsolved problems: (l-r) Kathryn Harries, Alan Ewing and Emma Bell struggle to make an impression at Covent Garden. Our privacy policy was last updated on Friday 31 January 2020, Reviewed at Royal Opera House, Covent Garden, London on 12 March 2012. The best in live events, streams, reviews and articles recommended by our editors, delivered to your inbox weekly. I registered a faint sense that my opera plot was already out on the street, but I didn't think all the detail it contained the violent destruction of property, the collapse of the middle class would soon become true as well. She studied with John Tavener while at the North London Collegiate School[3] and subsequently with Robin Holloway at King's College, Cambridge, graduating in 1976. Theres usually plenty of hype surrounding a newly written opera performed at Covent Garden, but the carefully placed stories about Judith Weirs Miss Fortune are on the improbable end of the scale, featuring a flying kebab shop and a team of breakdancers. Simon, a wealthy young man Jack Holton (28 Feb & 4 Mar), Jonathan Eyers (2 & 7 Mar), Chorus of sweatshop workers and party guests: Judith Weir CBE is a British composer and Master of the Queen's Music. Location She held the post of Composer in Association for the City of Birmingham Symphony Orchestra from 1995 to 1998. Booking fees are per transaction and not per ticket. The absence of an intermediary sparring partner in the shape of a librettist may have made it difficult for the right person to say to Weir "more here, less there". But Miss Fortune is warm and fuzzy where it should be hard and edgy, its a social fable with contemporary resonances in everything but its words and music, and worst of all its an adult opera which sounds like its spoon feeding amateur philosophy to a child. But this encyclopedic experience helps. [10] In 2018 she was elected an Honorary Fellow of the Royal Society of Edinburgh. Throughout the opera, in an impressive piece of singing, counter-tenor Andrew Watts sings a discordant overlay over the other music, reminding everyone that he is all-powerful and capricious. Edward Seckerson in The Independent (London) wrote of "Miss Fortune in name and deed" and described the opera as "silly and naive" and "a waste of talent and resources", with a libretto that "vacillates between the banal and the unintentionally comedic (or is that irony? Continue using the site as normal or read our ), full of truisms and clunky metaphors" and "about as streetwise as a visitor from Venus". Her opera Miss Fortune opened at the Royal Opera House in March. Winter Song. OPERA NEWS, COMMENTARY, AND REVIEWS FROM AROUND THE WORLD. We remain indifferent to Miss Fortune (however persuasively sung by a red-wigged Emma Bell), her vulgar nouveau parents who lose their riches, the sharp-suited romantic interest, Simon (the lovely Jacques Imbrailo). Miss Fortune is based on a Sicilian folk tale, and Weir's own libretto abstracts the story and creates a sort of moral fable that rather reminded me of Georg Kaiser's From Morning to Midnight and David Sawer's brave attempt to turn it into an opera in 2001 at English National Opera. Kosta Popovic In 2014-15 there were releases of The Vanishing Bridegroom (NMC) and Storm (BBC Singers/Signum). Where Weirs orchestral writing is full and rich, the vocal parts are for the most part agile and harsh. Published by Chester Music (HL.14035701). 'Blond Eckbert' and 'Miss Fortune'. 2010-2023 Bachtrack Ltd. All rights reserved. 024 IN 2. Strahinja Mitrovic, Clarinet I hope that does not mean more trapeziums, please. The Barbican is widely accessible by bus, tube, train and by foot or bicycle. Miss Fortune in name and deed. The spare orchestration, full of scurrying chromatics, often glistening string writing and crisply atmospheric percussion, including piano, was potentially attractive and melodic, though its variety was mostly lost in the ROH auditorium. Book Only. Dominic Wheeler conductorMartin Lloyd-Evans directorAnna Reid designerAnthony Doran lighting designerJoseph Beesley assistant conductorRachel Wise assistant director/movement, Lucy England Segomotso Shupinyaneng (28 Feb & 4 Mar), Ellie Neate (2 & 7 Mar) Germany, Austria, the Netherlands, Belgium and the USA. . [2] See something missing? When her life's course turns from bad to worse, she makes a date with Fate. Intimate reinvention: Guildhall School of Music & Drama reassesses Judith Weir's Miss Fortune in a double bill with Giancarlo Menotti's The Telephone, directed by Martin Lloyd-Evans, conducted by. It has been a hyperactive week for hubris, schadenfreude and any other not quite correctly used foreign words you care to scatter. Holly Woods The kebab shop and the breakdancers are great, but Tom Pyes sets have much more: giant, mirror-smooth geometric structures are brightly lit in primary colours and turned by video effects into a shifting industrial landscape, all set against a plain screen background lit with vividly coloured gradients. The banality of the text follows the banality of the narrative, and the music doesn't rise above it. Tina, their daughter Erin Gwyn Rossington (28 Feb & 4 Mar), Cleo Lee McGowan (2 & 7 Mar) Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in, Find your bookmarks in your Independent Premium section, under my profile. Judith Weirs music has been widely recorded, particularly on the NMC and Delphian labels; and is published by Chester Music and Novello & Co. For a full list of forthcoming and past performances visit the online calendar, You can view scores by Judith Weir online at her publisher's website or on Nkoda, To purchase sheet music on sale by Judith Weir ask your local retailer. Tina (Miss Fortune) - Emma Bell. 4 - Julia Kleitner, Royal Concertgebouw Orchestra/Gatti, A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD, ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON, Edward Seckerson talks to RENE FLEMING about The Light in the Piazza, A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies, A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope, A Conversation With VICTORIA WOOD: New TV drama, Loving Miss Hatto, A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentiers Medea, GRAMOPHONE Review: Shostakovich Symphony No. Miss Fortune in name and deed. Judith Weir - Miss Fortune [Achterbahn] (2011) - YouTube 0:00 / 1:23:43 Judith Weir - Miss Fortune [Achterbahn] (2011) 2,550 views Oct 17, 2015 Digital broadcast from BBC Radio 3 .more. ears ago, I read an Italian folk tale about a princess who, when her parents lose their money, is forced to live in poverty and make a living: weaving cloth, minding a wine store, washing clothes. Sad because Weirs folk inspired fables have won many friends, sad because she is a composerly composer whose luminous orchestral backdrops and singable vocal lines display an honest talent that never hides behind overworked technique. Having now heard the piece, and looked through the score, I would have asked: "Did you intend so many of the vocal lines to have a predominantly descending pattern, giving an impression of aural droop? The opera touches on many things relevant to modern life - the banking crisis, unemployment, sweatshop working conditions, the choice between money and love - but it doesnt have anything significant to say about any of them. Giulia Lussoso She has also created new music for many community groups and schools, including Burntwood School Wandsworth, Aberdeen Art Gallery, St Marys Church Dover and Greenacre School, Barnsley. For Guildhall School performances please use the Guildhall School entrance on Silk Street. Weve plenty of places for you to relax and replenish, from coffee and cake to wood-fired pizzas and full pre-theatre menus. Thereafter, she encounters various low wage earners sweatshop workers (a chorus of seamstresses), a fast-food vendor (Florian Panzieri) and a laundrette owner (Laura Fleur). Paul's Episcopal Church, Burlingame, CaliforniaThe Tree of Peace is by the contemporary English composer Judi. . Lisette Oropesa leads strong vocal performances in Handel's madcap tale of love and sorcery. But Weir creates much variety of timbre and a fair degree of potency throughout. The most recent opera is Miss Fortune, premiered at Bregenz in . Judith Weir. Richard Jones' production is visually all over the place, but in a good way. Thus assured, they hurl themselves down with even greater animation. Please refresh the page or navigate to another page on the site to be automatically logged in, Please refresh your browser to be logged in, 15% off orders using the Zavvi discount code, 10% off with this Book Depository student discount, 14% off all orders - Red Letter Days discount code, 20 extra entries with this Omaze promo code, 5% off tickets using this AttractionTickets.com discount code, Compare broadband packages side by side to find the best deal for you, Compare cheap broadband deals from providers with fastest speed in your area, All you need to know about fibre broadband, Best Apple iPhone Deals in the UK March 2023, Compare iPhone contract deals and get the best offer this March, Compare the best mobile phone deals from the top networks and brands. Miss Fortune moved to London in March 2012, garnering at least two negative reviews. And the greatest irony of all Miss Fortune wins the lottery. . I loved the witty set (designer, Anna Reid) a luxury housing development, with a big sign outside promising "No social housing", something I'm all too familiar with as a local resident to the Vauxhall-Nine Elms "transformation". I decided to use the tale as a basis for a new opera. Silk Street Jack Garner-Greene Miss Fortune is a reinvention of a Sicilian folk tale in which the comfortable life of Tina (Erin Gwyn Rossington), the wealthy daughter of Lord and Lady Fortune (Jacob Harrison and Amy Holyland), nosedives after a financial catastrophe. Get discounted access to unmissable art, See more art, music, film and theatre for less, Log in to access bookings, re-print pdf tickets, update email preferences and check out faster. It will help us make your newsletter content more useful. Judith Weir. Caroline Moores, Head of Recording & Audio Visual In January 2008, over fifty of her works were performed during 'Telling The Tale', a three-day retrospective of her music, hosted by the BBC Symphony Orchestra at the Barbican Centre, London. If you dont harbour too many expectations of a thought-provoking story, its worth going to see for the staging alone. . Our heroine is clad in a bright red dress - the Chinese colour for luck - which makes her a constant point of focus through the action. During this time she began to write a series of operas (including, As resident composer with the City of Birmingham Symphony Orchestra in the 1990s, she wrote several works for orchestra and chorus (including, In recent years, Judith Weir has considerably expanded her choral catalogue, with regular performance by choirs worldwide of music such as her Christmas carol. Serendipity, rather than the fate which clings to the protagonist of Judith Weir's Miss Fortune, led me to catch the last night of a double-cast spectacular at the Guildhall School of Music and Drama.What a tonic to find a top-notch young cast and orchestra working their disciplined socks off for conductor Dominic Wheeler and director Martin Lloyd-Evans after the dog's dinner of English . Hassan, a kebab seller Florian Panzieri (28 Feb & 4 Mar), Innocent Masuku (2 & 7 Mar) [15] Weir's commissioned works most notably include woman.life.song (2000) for Jessye Norman and We are Shadows (1999) for Simon Rattle. One of these days someone might actually commission one of the many young composers at the sharp end of musical theatre - creative song writers with their finger on the pulse of contemporary living. Judith Weir's music has been widely recorded, particularly on the NMC and Delphian labels; and is published by Chester Music and Novello & Co. Kyra Coppini, Production Sound Engineers Guildhall School of Music & Drama Shana Moron-Caravel For Rap read rhyming couplets. Asked to fall to the ground in terror at news of an approaching financial disaster, they ask, "Like in Idomeneo?" Weir is a warmly admired composer, modest in manner but gritty in ambition, as anyone in her field has to be first to achieve, second to survive. Tiago Costa Claire Nicolas (freelance) Public transport In 2005 her opera Armida, an opera for television, was premiered on Channel Four in the United Kingdom). Judith Weir is a composer who, despite a huge body of work that ranges from grand operas to piano concertos to songs for children, has never sought the limelight. Only Anne-Marie Owens's Donna, who runs a launderette, and Hassan the kebab-van owner, beautifully sung by Noah Stewart (the closest we get to beefcake), show signs of humanity. Everything about Miss Fortune is benign and comfortable - even Tom Pyes eye-catching geometric designs are thoroughly alienating, a garment sweatshop spotless and sanitised like the Royal Opera have re-deployed the spinning chorus from their last production of The Flying Dutchman. Weir was appointed a Commander of the Order of the British Empire (CBE) in the 1995 Birthday Honours for services to music. Honours for her work include the Critics Circle, South Bank Show, Ivor Novello and Elise L Stoeger awards, a CBE and The Queens Medal for Music. She struggles, wins the lottery, casts aside money and goes off with the handsome prince, in his mercifully clean shirt. Galleries. Mae Weir wedi ysgrifennu sawl opera llwyddiannus, gan gynnwys The Black Spider (1985), A Night at the Chinese Opera (1987), Blond Eckbert (1994) a Miss Fortune (2011). Biography Weir was born in Cambridge, England, to Scottish parents. What a waste of talent and resources. Beri Valentine, Stage Management Props Supervisor She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. slogan. Still, Glowing. Do you remember your first pieces? Austria, the Netherlands, Belgium and the USA. Photograph: Tristram Kenton for the Guardian. Katie Wong, Production Assistants She went on to Cambridge University, where her composition teacher was Robin Holloway; and in 1975 attended summer school at Tanglewood, where she worked with Gunther Schuller. Weir is far from incapable of working on a large canvas, but Miss Fortune is surely a chamber opera. Yes, Tom Pye's design was beautiful, but stylised beyond the world of the circumstantial it could have accommodated any opera from Parsifal to Madama Butterfly. Join thought-provoking conversations, follow other Independent readers and see their replies. Photo:Judith Weir. This product includes GeoLite2 data created by MaxMind, available from, Orchestra of the Royal Opera House Covent Garden, Semyon Bychkov leads a musically superior, To add a comment, please sign in or register. Julia Sanchez Merino Much of her music has been recorded, and is available on the NMC, Delphian and Signum labels. woman.life.song. Judith Weir is brilliant at writing atmospheric, descriptive music, but such music needs something to hang on to, like flesh needs a skeleton (another image of Fate).This libretto is so weak, it's embarrassing. Unlike in the first act, the music lets up on the never-ending tension (the strident voiceover of Fate is absent for Simon's aria), and several of the subsequent scenes are more enjoyable for it. Emma Bell, singing the title role perched five metres up on a rocky plinth, only now revealed that she was scared of heights. In the title role, Emma Bell does an admirable job of wrapping her voice around it all, without the audience ever getting a melody or a mood to remember. She has been commissioned by the Boston Symphony Orchestra (Music Untangled and Natural History) the Minnesota Orchestra (The Welcome Arrival of Rain) and the London Sinfonietta (Tiger under the Table); and has written concert works for some notable singers, including Jane Manning, Jessye Norman, Dawn Upshaw, Alice Coote, Ailish Tynan and Ruby Hughes. was born into a Scottish family in 1954, but grew up near London. Night AT the Chinese Opera (A) (1987) Operas. And did the previous orchestra really play that F-natural all last summer and we never noticed? Julian Hepple. A. A new production of an earlier opera is always welcome news, to its composer at least, and it doesn't feel right to term these "revivals" - implying that resuscitation or even raising from the dead has been necessary. Last edited on 20 February 2023, at 10:43, Commander of the Order of the British Empire, Honorary Fellow of the Royal Society of Edinburgh, "Queen's new composer Judith Weir hails 'boss', "The wonderful Judith Weir With a Barbican weekend devoted to her music, the composer Judith Weir is being feted as never before", "Queen had 'immensely detailed knowledge' of music, says royal composer", "Judith Weir to be appointed first female master of Queen's music", "News Judith Weir appointed Master of the Queen's Music Music Sales Classical", "Judith Weir: the female music master with royal seal of approval", "The Ivors 2015 Winners, Ivor Novello Awards, Judith Weir", "Ms Judith Weir HonFRSE The Royal Society of Edinburgh", "Andrew Lloyd Webber piece among new coronation music", "Judith Weir Armida (2005) Music Sales Classical", "Musical Work rises from the concrete Barbican", "The State Funeral and Committal Service for Her Majesty The Queen", "The Black Spider review Weir's opera is ghastly gothic treat", https://genome.ch.bbc.co.uk/search/0/20?q=judith+weir+scipio%27s+dream#top, "A ringing coda: the music at the Queen's funeral was both solemn and sublime", Judith Weir on the British Music Collection, https://en.wikipedia.org/w/index.php?title=Judith_Weir&oldid=1140504219, The Prelude (20182019, flute, violin, viola, cello), This page was last edited on 20 February 2023, at 10:43. Also known as Achterbahn (rollercoaster), this apt allegory on fate - and the control we have over our own lives - delivers a timely update on the Italian folk tale Sfortuna. 4 booking fee per online/phone transaction. Phil Sizer, Staff Production Manager David Karlin reviews the premire of Judith Weir's new opera Miss Fortune at the Royal Opera House, Covent Garden Nuestra poltica de privacidad se actualiz por ltima vez el viernes 31 enero 2020 Consultar aqu Eliminar Judith Weir is a Honorary Patron for Sound and Music. Given the intimacy and physical support of the Linbury Studio (instead of the open wastes of the main auditorium) the work would at least have had a fair hearing, instead of becoming an object of near ridicule. The work should not have been put on the Royal Opera House stage without rigorous overhaul, especially in a staging so crassly bare and wide open that the voices were left stranded, good singers reduced to reedy insubstantiality, the slim drama robbed of focus. Queasy chromatic scales rising and falling in the trombones is as close as we get to the dark happenings on the street. Was it a plane, a boat or a train? And Im not sure I want to think too hard about the statements it does make: for example, the breakdancing team Soul Mavericks are superb, but theyre cast as stereotypical hoodlums wrecking things with baseball bats. [12], Weir's musical language is fairly conservative, with a "knack of making simple musical ideas appear freshly mysterious". Popularly known as the Musician of United Kingdom. Are launderettes, kebab vans and bankers really the stuff of opera? She has subsequently written one more "micro-opera", three full-length operas, and an opera for television. King Harald's Saga, Grand opera in three acts for unaccompanied solo soprano singing eight rles (based on the saga 'Heimskringla' by Snorri Sturlson, 1179-1241) is a monodrama by Judith Weir, commissioned by Jane Manning and premiered on 17 May 1979. Originally intended as a curtain-raiser for Menottis The Medium, the worksalternative title,LAmour trois, refers to the rival claims of a telephone that incessantly interrupts Bens attempts to propose marriage to Lucy before he catches his train. Silly and naive. Its story talks about the difference betweeen being rich and poor, and I was criticised at the time for imagining that this would be a permissable subject for an opera. The UK premire of Miss Fortune is on March 12th at the Royal Opera House. Above all, I felt justified in having written the opera in the first place. More information, Don't have an online account? Daniel RobinsonAnja Urban. [13] Gerhard R. Koch, writing in the Frankfurter Allgemeine newspaper on 25 July, had these observations: Miss Fortune moved to London in March 2012, garnering at least two negative reviews. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. Composer Judith Weir tells the story to her latest opera Miss Fortune at a recent Insights event at the Royal Opera House. In collaboration with director Margaret Williams, Weir has created several opera films, including Scipios Dream, Hello Dolly, and Armida. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. Rodrigues Our website uses cookies to give you the best possible experience. On 30 June 2014, The Guardian stated that her appointment as Master of the Queen's Music,[5] succeeding Sir Peter Maxwell Davies (whose term of office expired in March 2014), would be announced;[6] this was officially confirmed on 21 July. But Miss Fortune is warm and fuzzy where it should be hard and edgy, its a social fable with contemporary resonances in everything but its words and music, and worst of all its an adult opera which sounds like its spoon feeding amateur philosophy to a child. Justin Anderson The opera reworks a Sicilian folktale as a contemporary parable. As Miss Fortune sings of entering the "shadows" and "dark streets" of the real world, she's set upon by six representatives of this rough shadowy place, a gang of bopping black thugs, who go on to destroy the factory she's working for and torch a kebab van she finds herself taking shelter in. The most recent opera is Miss Fortune, premiered at Bregenz in 2011, and then staged at the Royal Opera House Covent Garden in 2012. Its story talks about the difference betweeen being rich and poor, and I was criticised at the time for imagining that this would be a permissable subject for an opera. She had taken a hiatus to focus her energies on a host of other endeavours including orchestral composition and leading the BBC's annual composer weekend at the Barbican in 2008. In places, where the orchestral score was particularly busy, some of the singing felt forced, with students pushing their voices beyond reasonable limits. But I personally have been feeling thoroughly revived after. Subscribe to our newsletters to hear about upcoming events. Memoirs of an Accidental Film Artist. Julia Bermingham, Staff Costume Supervisors Use tab to navigate through the menu items. Appointed in 2014 by Queen Elizabeth II, Weir is the first woman to hold this office.[2]. Hassan - Noah Stewart Whether were in the initial scene of the casting of our heroines horoscope, the various pieces of mayhem that envelop her or the poetic aubade sung by kebab-shop owner Hassan: the music is overlaid by urgent stridency. or you can purchase and download online, The music of Judith Weir is published by Chester Music Ltd and Novello & Co Ltd, part of Wise Music Group. A few quotes from suddenly redundant bankers made it into the libretto ("I'm going to clear my desk"; "I'll never find another job") but soon I and my opera were pondering the wider mystery of how random the universe is, and how it often seems there's nothing we can do about it. Chester Music #MUSCH61126. Called Miss Fortune, the story is about money, fate and fortune. Find the perfect Judith Weir stock photos and editorial news pictures from Getty Images. She has a large catalogue of performed works to her name, which will silence any who doubt her considerable gifts, especially vocal. Applying that usage, it has had many "adventures" over the years and the discard pile is high. Ivelina Ivanova She had taken a hiatus to focus her energies on a host of other endeavours including orchestral composition and leading the BBC's annual composer weekend at the Barbican in 2008. The work was made in co-operation with Margaret Williams. Judith Weir's opera is a story about Tina and how her life dramatically changes course overnight; it is a story about fate and fortune. Digory Price Meanwhile, the Chorus are a vital presence, losing all their money in the opening scene, only to reappear in increasingly direr straits. In recent years, Judith Weir has considerably expanded her choral catalogue, with regular performance by choirs worldwide of music such as her Christmas carolIlluminare, Jerusalemwritten for Stephen Cleobury and the choir of Kings College Cambridge. Last month, as we reconvened in London to rehearse for this week's UK debut, conductor Paul Daniel considered the problems. Yn ogystal, mae'n gyfansoddwr o ddarnau cerddorfaol a lleisiol, gan gynnwys Concerto i'r Piano (1997), The Welcome Arrival of Rain (2001), ac In the Land of Uz (2017). Lord Fortune - Alan Ewing. By combining The Telephone and Miss Fortune, director Martin Lloyd-Evans and designer Anna Reid wished to explore aspects of the isolating effects of modern urban life. Judith Weir CBE (born 1954) [1] is a British composer and the first female Master of the Queen's Music. . First things first: Chen Shi-Zhengs production, created for the works premire at Bregenz Festival last year, is one of the most visually stunning opera productions I have ever seen. The language needs sharpening to show us that this is satire. In July 2014 Judith Weir was appointed to the 395-year old royal post of Master of the Queens Music, in succession to Sir Peter Maxwell Davies. Judith Weir was born into a Scottish family in 1954, but grew up near London. I loved the witty set (designer. Full marks on all fronts. Gounod's Faust from the Opra Bastille, Paris. Views: 5 180. Based on a Sicilian folk tale, Miss Fortune has some of the elliptical angularity of Weir's successful A Night at the Chinese Opera (1987). Austria, the Netherlands, Belgium and the USA. What a waste of talent and resources. Plan your journey and find more route information in Your Visit or book your car parking space in advance. Jos Hita Garca* Find Judith Weir stock photos and editorial news pictures from Getty Images. Secondly and crucially, Weir turns Fate into a very real and live person. Sad to say but Judith Weirs sixth opera is an embarrassment. Music Sales America. The four days of programmes ended with a first performance of her new commission, CONCRETE, a choral motet. She is seen as one of the most successful Musician of all times. It didnt help that the singing from Rossington and Valentine lacked clarity and I had to second guess some of their dialogue.

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